Sabtu, 28 Agustus 2010

Download Out of the Woods: StoriesBy Chris Offutt

Download Out of the Woods: StoriesBy Chris Offutt

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Out of the Woods: StoriesBy Chris Offutt

Out of the Woods: StoriesBy Chris Offutt


Out of the Woods: StoriesBy Chris Offutt


Download Out of the Woods: StoriesBy Chris Offutt

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Out of the Woods: StoriesBy Chris Offutt

From the critically acclaimed author of the novel The Good Brother and memoir My Father the Pornographer, Out of the Woods is Chris Offutt’s fiercely original short story collection the New York Times calls “a magical book”.

Arriving seven years after Offutt’s debut collection Kentucky Straight, Out of the Woods returns a masterly writer to the form which garnered him not only critical praise but many prestigious awards. Offutt, who “draws landscape and constructs dialogue with the eyes and ears of a native son” (The Miami Herald), is on strong home turf here, capturing those who have left the Kentucky hills and long to return. These nine stories of gravediggers and drifters, gamblers and truck drivers a long way from home, are tales so full of hard edges they can't help but tell some hard truths.

  • Sales Rank: #594208 in eBooks
  • Published on: 2016-02-16
  • Released on: 2016-02-16
  • Format: Kindle eBook

Amazon.com Review
Out of the Woods starts with one man leaving his Kentucky hollow and ends with another who realizes he can't return. In between, Chris Offutt's broke, lonely, or just plain down-on-their-luck characters find out exactly how difficult it is to go home again, and how equally difficult it is to stop wishing they could. The critically acclaimed author of The Good Brother (a novel), as well as a memoir and a previous collection of stories, Offutt writes with rare honesty, insight, and restraint. "Sometimes I don't think I've done anything to leave my mark in this world. I'm the kind of person the world leaves a mark on," admits the narrator of "Two-Eleven All Around." The same might be said of all Offutt's Appalachian transplants, from the small-town sheriff of "Melungeons," forever marked by the violence and beauty of his mountain upbringing, to the rootless ex-con of "Moscow, Idaho," who wonders "if he'd ever find a woman, a job he liked, or a town he wanted to stay in." These lives are rendered in prose stripped so bare it reads like poetry--and yet is not without its own flinty wit. Given his first glimpse of his brother-in-law's corpse, the protagonist of the title story allows as how "he didn't look dead, but Gerald didn't think he looked too good either. He looked like a man with a bad hangover that he might shake by dinner." These are characters who get inside your head and stories worth reading again and again. As spare and simple as a Shaker chair, Offutt's tales should prove every bit as enduring. --Mary Park

From Publishers Weekly
Missing Kentucky, even when one lives there, is the emotional linchpin of the nine spare and stunning stories in this second collection by Offutt (Kentucky Straight; The Good Brother). Many of the entries previously appeared in magazines such as Esquire and Granta; "Melungeons" has been included in Best American Short Stories 1994. All deal with the magnetic pull of the Kentucky hills on those born there, and while a common theme enriches the cyclical nature of the collection, its repetitiveness sometimes makes one wish for a change of focus. Some narratives are straightforward: in "Darla," the eponymous protagonist returns to the hills after 30 years in Ohio, realizing that's where she belongs only after a real estate agent presses her to sell out. Other tales are more intricate. A Kentucky trucker washes up in an Oregon flood in "High Water Everywhere," then decides to go back to the hills after encountering a deputy sheriff who has resisted the impulse to leave his native turf because he knows everybody's intimate lives, and "the knowing keeps me here." "Two-Eleven All Around" plumbs a well of dark humor when the divorced narrator discovers "you raise someone else's [kids] while a stranger takes care of yours." From the protagonist of "Out of the Woods," who's never left his Kentucky county before, to the narrator of "Tough People," who learns in Montana that he's ruined for going back, the stories all resonate with isolation and lawlessness born in the Kentucky hills. These stories deserve to be parceled out, savored separately. Agent, Brandt & Brandt. (Jan.) FYI: Offutt has been the recipient of a Guggenheim Fellowship and a Whiting Award.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
Offutt's characters may leave the woods?that is, rural eastern Kentucky?but it doesn't leave them. Some have escaped to town or gone west, others have returned after trying to live elsewhere. Offutt's writing is as simple and straightforward as his characters, who are not angst-ridden or introspective but often use sex, alcohol, or violence to get through the day. Despite these similarities, there is great variety in plot. In "Moscow, Idaho" two ex-cons move graves to make room for a new highway. "Darla" tells of an elderly woman returning to her home on her own terms. Disparate characters are brought together during a flood in "High Water Everywhere." Recommended for most collections.?Christine DeZelar-Tiedman, Univ. of Idaho Lib., Moscow
Copyright 1998 Reed Business Information, Inc.

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Rabu, 04 Agustus 2010

Download PDF Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal

Download PDF Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal

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Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal

Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal


Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal


Download PDF Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal

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Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal

In Spirit Song: Afro-Brazilian Religious Music and Boundaries, Marc Gidal investigates how and why a multi-faith community in southern Brazil utilizes music to combine and segregate three Afro-Brazilian religions: Umbanda, Quimbanda, and Batuque. Combining ethnomusicology and symbolic boundary studies, Gidal advances a theory of musical boundary-work: the ways music reinforces, bridges, or blurs boundaries, whether for personal, social, spiritual, or political purposes. Gidal focuses on spirit-mediumship rituals and their musical accompaniment, exploring how the Afro-gaucho religious community employs music and rituals to variously promote innovation and egalitarianism in Umbanda and Quimbanda, while it reinforces musical preservation and hierarchies in Batuque. Religious and musical leaders carefully restrict the cosmologies, ceremonial sequences, and sung prayers of one religion from affecting the others so as to safeguard Batuque's African heritage. Members of disenfranchised populations view the religions as vehicles for empowerment, whether based on race-ethnicity, gender, or religious belief; and innovations in ritual music reflect this activism. These rituals come to life through illustrative video and audio examples on the book's companion website. The first book in English to focus on music in Afro-Brazilian religions, Spirit Song is a landmark study that will be of interest to ethnomusicologists, anthropologists, and religious studies scholars.

  • Sales Rank: #2565421 in Books
  • Published on: 2016-02-05
  • Released on: 2016-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x .90" w x 9.20" l, .0 pounds
  • Binding: Paperback
  • 240 pages

Review

"The book's rich ethnographic description and extended, expert attention to music make it a unique and valuable contribution to the literature on Afro-Brazilian religions."--Reading Religion


About the Author

Marc Gidal, Ph.D., is Associate Professor of Music (Musicology) at Ramapo College of New Jersey. He holds degrees in ethnomusicology and religious studies.

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Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal PDF

Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal PDF
Spirit Song: Afro-Brazilian Religious Music and BoundariesBy Marc Gidal PDF